High-Resolution Desktop Music Production
With outstanding dynamic range and low noise, it provides pristine 24-bit/192 kHz audio quality and clarity. It’s premium mic preamps and transparent conversion translate into recordings with depth and richness. With both Combo inputs mounted on the front panel, you know exactly what is plugged in – no need to fumble with inputs on the rear panel. The convenient angled design allows you to easily reach all knobs and buttons, and LED indicators let you know exactly what positon they’re in – even in dimly lit studios.
Solid Construction
The robust aluminum housing is not only attractive, but sturdy. It is at home in the studio as well as on the road. The volume knob is made of solid aluminum, which gives it the weight and the feel of vintage studio gear.
Controls Overview
Above all else, it is a premium 2×2 USB 2.0 audio interface with outstanding 24-bit/192 kHz audio conversion. The SRI-2 connects to the outputs and inputs of other audio gear, and performs analog-to-digital (A/D) and digital-to-analog (D/A) audio conversions on the gear’s signals. The digital audio signals are routed into and out of the host computer via the high speed USB 2.0 protocol, which is carried on the single USB cable ( included ).
A Portable Studio Complete with Steinberg Cubase LE DAW Software
Compact and USB powered means portable. The USB 2.0 connection provides ample power to drive headphones for tracking or mixing, while at home or on the road. An external power input (Micro USB) must be used when connecting to your iPad, using the included Cubasis software. Whether you are recording an instrument, such as guitar, or using a microphone requiring 48V phantom power, all buttons and knobs are easy to access. Coupled with the included Cubase LE software, is a powerful and intuitive music production system. And though it comes with Cubase LE, it is compatible will all major DAWs, including Avid Pro Tools, Presonus Studio One, Ableton Live, Apple Logic Pro, FL Studio, REAPER, Bitwig Studio and more.




















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