SPL Audio Track One MK3 Premium

Brand:  SPL Audio
SKU: SM-4709

Product Highlights

  • SPL Track One MK3 Mono Channel Strip has two preamps for microphones and electric instruments.
  •  Transparent microphone preamp with up to 65dB gain.
  •  Premium Lundahl input and output transformers.
  •  De-Esser reduces sibilance and harshness, producing natural-sounding results.
  •  Stereo operation with two units via compressor link.

177,325

In stock

Estimated delivery dates: May 5, 2026 - May 9, 2026

In stock

Get that authoritative, professional sound.

The ever-popular SPL Track One MK3 Premium channel strip, now in its third version, has been completely revised with increased specifications and a more intuitive design optimized for today’s recording studios. This Track One MK3 model is outfitted with superior Lundahl input and output transformers, resulting in an authoritative “big-iron” sound that pops out of the speakers. Track One MK3 Premium consistently offers outstanding sonics, improving vocals and instruments from any source, whether mic, line, or DI. The excellent mic preamp gives enough of a boost for your microphones and instruments, and SPL’s renowned De-Esser is included to control sibilant voices.

The SPL Track One MK3 Premium channel strip allows you to optimize your dynamics with the compressor/limiter and sweeten your tone with the 3-band EQ, resulting in radio-ready sound.

Your option for quick, high-quality recordings

We speak with numerous artists who need to be able to generate excellent recordings rapidly – guitarists and bassists for hire, engineers doing radio commercials, and so on. The SPL Track One MK3 Premium channel strip is unique in that it allows you to quickly tune in outstanding sound from almost any source. The built-in processing is ideal for adding extra studio polish without the need to patch in other processors or route audio through plug-ins.

Capture better voices with the built-in De-Esser.

The SPL De-Esser is regarded as an important instrument in many studios, and it is included directly in the SPL Track One MK3 Premium channel strip. It is noted for reducing harsh sibilance from vocalists in a natural, melodic manner, producing transparent results even in severe settings. The SPL De-Esser’s automated threshold-adjusting capability is extremely beneficial. It adjusts for a singer’s shifting distance from the mic by applying de-using even when the signal is lower so that compressing afterward does not pull lower sibilants back up to level.

Compressor/Limiter regulates dynamics and gives character.

The Track One’s compressor/limiter is a basic one-knob design that uses temporal constants (including attack and release) that are automatically adjusted to the input signal, enabling simple set-and-forget operation. Pressing the Limiter button activates the compressor’s limiter mode, with the compression knob controlling the threshold. Like the compressor, SPL’s soft limiter is subtle and produces consistent, highly melodic effects. A separate makeup gain knob is included to ensure optimum gain structure in your signal chain.

Combine the two for stereo-functioning

For optimum studio versatility, get two SPL Track One MK3 Premium channel strips and connect them for stereo compression. You’ll be able to record stunningly wide stereo recordings and achieve real stereo compression with just one set of parameters. Best of all, the EQs will remain separate, allowing you to fine-tune the stereo image by selecting slightly different EQ values for each side.

SPL Audio: Supercharged Audio Products

SPL Audio was founded in Germany in 1983 and has been at the forefront of the professional audio business since then. After creating patented 120V Technology in the 1990s, SPL chose to include this pioneering technology in all of its high-end devices, and its extraordinarily powerful yet transparent sound has garnered many admirers at and beyond. Other groundbreaking discoveries by SPL include level-independent envelope processing and the use of phase cancellation in auto-dynamic de-users to reduce sibilance. Is pleased to offer audio professionals SPL’s outstanding portfolio of unique solutions.

SPL Track One MK3 Premium Mono Channel Strip Specifications:

  •  Two preamps for microphones and electric instruments.
  •  Transparent microphone preamp with up to 65dB gain.
  •  Premium Lundahl input and output transformers.
  •  De-Esser reduces sibilance and harshness, producing natural-sounding results.
  •  Use the compressor/limiter to optimize dynamic range and placement during mixdown.
  •  Stereo operation with two units via compressor link.
  •  A 6dB/octave highpass filter eliminates unwanted low frequencies below 80Hz.
  •  Enhance your sound with 3-band EQ.
  •  Use the compressor/limiter to optimize dynamic range and placement during mixdown.
  •  Enhance your sound with 3-band EQ.

For audio professionals and enthusiasts who demand pristine sound quality and uncompromising reliability, the SPL Audio Track One MK3 Premium stands out as a benchmark audio interface. Whether you are recording vocals, instruments, or mixing complex audio projects, this interface delivers the clarity, precision, and dynamic range necessary to capture every nuance of your performance. By integrating advanced analog technology with robust power management, it ensures your recordings are free from unwanted noise and distortion, providing a truly professional-grade experience.

One of the standout features of the Track One MK3 is its internal linear power supply equipped with a shielded toroidal transformer. Unlike typical switching power supplies found in many interfaces, this design significantly reduces electromagnetic interference and noise, resulting in a cleaner and more stable power source for your analog audio circuits. What this means for you is a noticeable improvement in audio fidelity and a reduction in the background hum or buzz that can plague lesser interfaces. The selectable mains voltage options of 230 V AC at 50 Hz or 115 V AC at 60 Hz ensure compatibility with power grids worldwide, making it an excellent choice for global studios or mobile setups.

The analog inputs and outputs are designed to handle a wide range of signal levels with remarkable precision. With a maximum input gain of 28 dBu on Line inputs and 12 dBu on Instrument inputs, the Track One MK3 accommodates everything from delicate microphones to high-output instruments without sacrificing headroom. The input impedance of 12 kΩ for Line and an impressive 1 MΩ for Instrument inputs means your signals maintain their natural tone and response, avoiding the signal degradation that occurs with improper loading. Output impedance is kept low at 50 Ω, ensuring a clean and consistent signal path to your monitors or recording devices.

Frequency response is another area where the Track One MK3 excels, offering an ultra-wide range from 10 Hz up to 180 kHz (-3 dB). This expansive bandwidth captures the full spectrum of sound, including harmonics and overtones that contribute to the richness and depth of your recordings. The noise floor is exceptionally low, with A-weighted noise levels as minimal as -97.5 dBu at 20 dB gain on the microphone preamp, ensuring even the quietest details are preserved without the intrusion of hiss or distortion. The Equivalent Input Noise (E.I.N.) rating of -129 dBu (150 Ω) further illustrates the preamp’s ability to maintain clarity at high gain settings, making it ideal for sensitive microphone applications.

Powered with a maximum consumption of only 20 watts, the Track One MK3 is energy-efficient without compromising performance. Its robust internal components and build quality guarantee long-term durability and consistent operation under professional studio conditions. The interface’s compact yet sturdy design makes it suitable for both fixed studio installations and portable recording rigs, offering flexibility to suit various workflows.

In practical terms, the SPL Audio Track One MK3 Premium is perfect for musicians, producers, and engineers who require a high-fidelity interface capable of handling critical recording and mixing tasks. Whether you are tracking vocals, guitars, or electronic instruments, or mixing complex multi-track sessions, this device provides the transparency and headroom that allow your creative work to shine. Its precise analog circuitry and low noise characteristics also make it a valuable tool for mastering and audio restoration tasks.

Investing in the SPL Audio Track One MK3 Premium means choosing an audio interface that prioritizes sound quality and reliability above all else. With its advanced power supply, exceptional dynamic range, and wide frequency response, it delivers a professional-grade recording experience that meets the demands of discerning audio professionals. Backed by SPL’s reputation for engineering excellence, this interface confidently supports your creative vision, ensuring your recordings and mixes sound as true to life as possible.

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Internal Linear Power Supply with Shielded Toroidal Transformer

Operating voltage for analog audio : +/- 15 V

Mains Power Supply

Mains voltage (selectable) : 230 V AC / 50; 115 V AC / 60 Hz
Fuse for 230 V : T 315 mA
Fuse for 115 V : T 630 mA
Power consumption : max. 20 W

Analog inputs & output

Maximum input gain (Line) : 28 dBu
Maximum input gain (Instrument) : 12 dBu
Input impedance (Line) : 12 kΩ
Input impedance (Instrument) : 1 MΩ
Output impedance : 50 Ω
Frequency range (-3 dB) : 10 Hz – 180 kHz
Noise (A-weighted, Mic Preamp, 20 dB Gain) : -97.5 dBu
Noise (A-weighted, Mic Preamp, 40 dB Gain) : -91.0 dBu
Noise (A-weighted, Mic Preamp, 62 dB Gain) : -67 dBu
E.I.N. (150 Ω) : -129 dBu