Original price was: ₹71,079.₹65,393Current price is: ₹65,393.
1000 in stock
The reinvented Blues Cube series launches the classic 1×12 combo amp into a new era, combining genuine tube sound and response with modern reliability and easy portability. Going far beyond modeling, Roland’s Tube Logic design philosophy starts with carefully reproducing the inner workings of the revered tweed-era tube amp in every way, from guitar input to speaker output. Versatile clean and crunch channels can be used independently or combined for a complex range of tones, while variable output power modes let you dial in burning, full-throttle sound at any volume. Road-tested and fine-tuned with feedback from top players, the gig-ready Blues Cube delivers the sweet, magical tone and satisfying feel that makes a great guitar amp a highly expressive musical instrument.
Warm, bouncy, responsive, dynamic, elastic…these are all terms that guitarists use to describe the satisfying experience of playing their favorite tube amps. Thanks to Roland’s Tube Logic, these words can be applied to the Blues Cube Stage as well. Dramatically evolved from the first-generation sound of the original Blues Cube amps from the ’90s, today’s Tube Logic accurately provides the complex, highly interactive behavior of classic tube designs in meticulous detail, providing the magical “it” factor that takes a guitar amp from a simple sound system to a living, breathing musical instrument. Great feel, distortion control with touch and volume, bloom, sparkle, power supply “sag,” and more—everything that players love about a finely tuned vintage tube amp is present in abundance with the Blues Cube.
Ready for live playing, the Blues Cube Stage is equipped with 60 watts of power, plus a custom 12-inch speaker that’s been specially designed for maximum tonal response with Tube Logic. The open-back cabinet features poplar plywood construction, which offers acoustically vibrant tone for solo or group performances.
Eric reflected on the audio sessions as they came to a close, “I’m a bit shocked at the solid state nature of the Blues Cube. This is probably the best solid state guitar sound I’ve heard.” The sky is the limit; it seems to me the potential is excellent.” The outcome of this incredible journey is, in Eric’s words, “only the beginning.” He continues, “The way people have been getting tone hasn’t really changed that much over the years. With Blues Cube, now there’s a way to produce tone with a much different method producing incredible possibilities. I’m excited to explore those paths.”
The Blues Cube Stage features onboard reverb, and the rear panel is equipped with a footswitch jack for remote switching of channel selection and Dual Tone mode. And with the USB jack, it’s simple to capture the Blues Cube’s rich tones directly into your favorite computer recording applications.
With its modern approach, the Blues Cube eliminates the big drawbacks found in all tube amps powerful enough for stage playing—they’re extremely heavy, prone to damage through vibration, and require frequent tube replacement and other costly maintenance to keep them going strong. In contrast, the Blues Cube is basically maintenance-free, and has been carefully designed to reduce weight in every area that doesn’t affect the tone. With the Blues Cube, you’re able to enjoy great tube sound at every gig, but with much easier load-in and no actual tubes to worry about!
The plan was set. Blues Cube amplifiers would ship with a sweet vintage tone right out of the box. Eric’s custom Blues Cube tone, however, would be made available in a new and exciting product: the Eric Johnson Tone Capsule. The Tone Capsule is a modification circuit unit that changes the tube circuit characteristic of the original Blues Cube and attaches under the amp chassis. Once connected, the circuit modification on the Tone Capsule changes the tuning of the amp giving you custom tones and responses. The Tube Logic design physically amplifies the analog discrete circuit with characteristics produced by DSP circuits. Blues Cube’s basic sound quality is built upon the physical preamp and power amp. The analog discrete circuit and DSP circuit working together produce a very advanced path to tone.
The Blues Cube Stage has two independent channels—one voiced for cleaner tones, and the other for crunch. Each channel has its own Boost and Tone switches to shape the character. The Clean channel’s single volume control dials in natural tube fullness and bite as the volume is cranked, while the Crunch channel’s variable gain control provides a range of grit flavors from mild to aggressive. With the press of a switch, the unique Dual Tone mode lets you blend both channels together for an endless array of rich tones. And just like a vintage tube amp, the Blues Cube loves stompboxes, allowing you to further shape your personal sound by hitting the amp’s front end with your favorite gain pedals.
Every tube-amp player knows that you really need to turn up the volume and push the output tubes to get the amp to sing at its best. The downside is that the sound simply becomes too loud for playing anywhere but the biggest stages—though that’s certainly never stopped guitarists from trying!
| Weight | 16.83 kg |
|---|---|
| Dimensions | 62.36 × 54.86 × 35.81 cm |
| Brand | Roland |
| Model | BC-STAGE |
| Model Name | Blues Cube Stage |
| Product Dimensions | 62.36 x 54.86 x 35.81 cm; 16.83 kg |
| Item model number | BC-STAGE |
| Compatible Devices | Guitar |
| Amplifier Type | Solid State |
| Audio Wattage | 60 Watts |
| Batteries Included | No |
| Batteries Required | No |
| Speaker Output Channel Quantity | 2 |
| Material | Metal |
| Includes AC Adapter | No |
| Country of Origin | Malaysia |
| Item Weight | 16 kg 800 g |
| ASIN | B00LXF8ZVW |
| Date First Available | 16 February 2016 |
| Item Dimensions LxWxH | 62.4 x 54.9 x 35.8 Centimeters |
| Manufacturer | Roland |
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Amazon Customer –
The tones are good, but it has a two prong power cable with no ground pin. I got multiple mild shocks before realizing there was an issue with the amp. Was lucky nothing worse happened
MrMr –
Had actually bought a Bandit which I liked, but felt like there was a lot of …
Have been playing around with finding a decent solid state amp for a while. My choices came down to the Roland Blues Cube Stage or Peavey Bandit 112. Had actually bought a Bandit which I liked, but felt like there was a lot of noise and hiss at pretty much any gain level. Great clean sounds for a SS amp though. I recently bought the Roland BCS and while significantly more expensive, I’m happier with it overall. While not as versatile alone as the Bandit is with regard to tones, I find it to be more realistic on the high gain channels and with the gain cranked. Both channels are warm and full. I won’t say it sounds exactly tube to me, but definitely “tube-esque.” I don’t use a lot of pedals, just a basic setup, and find that the BC Stage takes pedals really well. I like a tube screamer and analog delay in the mix mostly. The reverb is a little better on the Stage than the Bandit, fuller sounding and more satisfying to me. A few of the things that bug me a little about the Stage is the lack of an effects loop and the controls being set back on the top of the amp. While minor, I like the look of the Stage and the fact that it’s a little smaller and lighter than the Bandit. Both good amps, but for me, I’m staying with the Stage.