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Novation Peak Eight Voice Desktop Polyphonic Synthesiser

Brand:  Novation
SKU: SM-2367

Product Highlights

Eight-voice desktop polyphonic synthesiser with three New Oxford Oscillators for each voice

Original price was: ₹212,100.Current price is: ₹201,495.

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Estimated delivery dates: Apr 13, 2026 - Apr 17, 2026

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Description

Peak is an eight-voice desktop polyphonic synthesiser built around New Oxford Oscillators that combine the best of analogue sound and digital flexibility – including inbuilt and custom digital wavetables. With a resonant multi-mode analogue filter for each voice, and three separate points of distortion per voice, it’s truly the best of both worlds.

 

Polyphonic aftertouch, an extensive mod matrix, and two dedicated Animate buttons allow for endlessly expressive performances, while lush onboard reverb, delay and chorus round off a formidable addition to any sound designer’s arsenal.

Key Features

  • Digital where it counts — Digital FPGA-generated New Oxford Oscillators for analogue-style, wavetable and FM synthesis
  • Analogue where it matters — an analogue filter, analogue VCAs and three stages of analogue distortion per voice
  • High-quality digital effects — stunning reverb, delay, and chorus effects are instantly accessible via the effects section
  • Extensive modulation system — 16-slot modulation matrix and 16 direct assignments controllable from the front panel
  • Wavetable Editor — featuring drawing tools and a Live Edit mode, so you can draw your own oscillator shapes and preview them in real time
peak-analoguewhereitmatters-2400-1350

Analogue where it matters – digital where it counts

This synth can sound as mellow or aggressive as you want. Seek out sweet spots with the filter mod to make it sing. Crank the distortion and it will growl with pent up anger. Push the resonance to self oscillation to create shrieking leads. Bass StaaPeak’s design consultant was none other than Chris Huggett, the man behind Bass Station, Supernova, OSCar and many more legendary synths. Peak has its origin in the Bass Station II analogue monosynth, and Peak’s oscillators sound completely analogue by being high-quality NCOs (Numerically-Controlled Oscillators), but gain the flexibility of the digital domain with 60 digital wavetables.tion II can sound however you feel.

Build and refine new sounds from scratch

Broaden out your electronic music, draw in new influences and take artistic risks. The modulation system puts the most frequently used assignments right at your fingertips in the main controls. More elaborate movements and secondary ‘via’ assignments are made just a few menu button presses away.

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Overview

  • 42 Control knobs
  • 8 35mm Sliders
  • 1 Volume knob
  • 2 Data encoders
  • Rubberised knob caps with spun metal discs
  • 30 Function buttons (not lit)
  • 16 Function buttons (lit)
  • 2 Animate buttons plus hold button
  • 90 Indicator LEDs
  • OLED display
  • Kensington Security Slot
  • Power switch
  • Power supply connector
  • USB B 2.0 / MIDI comms only (no bus-power)
  • MIDI In / Out / Thru
  • 2 1/4″ jack socket for continuous or switched pedals
  • 3.5mm jack socket for CV in
  • 1/4″ jack sockets for left and right outputs
  • 1/4″ jack socket for headphone output
  • Metal chassis with American walnut wooden end cheeks
  • Metal magnetic inset end pieces

Dimensions

Length                      233mm
Depth                        464mm
Height                       70.5mm

Waveforms include

    Sine, tri, sawtooth, square / pulse plus 17 wavetables of 5 waveforms per row

 

Effects

  • Analogue distortion
  • Chorus – 3 types
  • Delay with 16 types of delay sync, LP and HP damping, slew and stereo
  • Reverb – 3 types

Software compatibility

  • Ableton Live Lite is included
  • Peak is a USB-MIDI class compliant device

Power requirements

    Maximum power consumption 12V DC 1A

 

Synth engine

  • 8 voice polyphonic (voice modes available unison etc.)
  • Mono-Timbral
  • 5 Voice Modes – Mono, MonoLG, Mono2, Poly, Poly2

Per voice

  • 3 oscillators
  • 1 noise generator
  • 1 ring modulator
  • 2 LFOs
  • 1 Amp envelope and 2 mod envelopes
  • 1 Filter

Filter

  • 1x State variable OTA filter per voice
  • 12/24dB slope
  • Low-pass / band-pass / high-pass
  • Pre-filter overdrive
  • Post-filter distortion

Modulation

  • 16 modulation slots per patch
  • Each slot has 2 sources to 1 destination

Misc

  • Arpeggiator w/ key latch – 33 patterns
  • Patch storage – up to 512 on hardware (ships with 256 factory patches)
  • Glide
  • All knobs (excl. volume), sliders and most buttons transmit and receive MIDI cc commands for external control and mapping