The TG D71c boundary microphone is primarily used for miking kick drums while placing it simply without any additional mounting material into the bass drum. The non-slip rubber bottom makes sure that the microphone cannot shift by itself. In addition to this the TG D71c can also be used for other low frequency instruments such as Cajon, grand piano or upright piano whereas the compact design and the half-cardioid polar pattern ensure easy positioning of the microphone. Due to its high impulse fidelity, a low attack time and a maximum sound Pressure level of 148 dB, the TG D71c is suitable for miking percussion instruments. The rugged housing in a slim, compact design protects the microphone against damages in the rough daily use on stage. For a permanent installation on a surface there are two mounting holes at the bottom of the microphone. The microphone is provided with an integrated pre-amp and can be powered on microphone inputs supplying 11 to 52 V phantom power. A red illuminating status LED displays the applied phantom power and in this way the operating status of the microphone.
From the manufacturer
Professional drum microphone for miking bass drum
With a high impulse fidelity, quick-responding attack, and a maximum sound pressure level of 148 dB, the TG D71 is ideal for miking percussion instruments with high sound pressure. The microphone delivers an equally convincing performance on cajóns and pianos. While the extremely rugged housing ensures optimum protection during use on stage, the compact design allows the microphone to be positioned easily in a bass drum without any additional accessories.
Status LED
With a slim and timeless design, it’s both a technical and a visual highlight. A red, illuminating LED status displays the applied phantom power, as well as the operating status of the microphone. The microphone is supplied with a travel bag for protection during transportation. For longer installation on a surface, the microphone has a mounting device on the bottom.
Powerful and natural sound
Optimized especially for the bass around, the microphone delivers a natural sound full of pressure.
For loud instruments
The condenser capsule facilitates distortion-free transmission, even at high sound-pressure levels.
Perfect grip
The non-slip rubber bottom makes sure that the microphone cannot shift by itself.
Half-cardioid polar pattern
The half-cardioid polar pattern ensures maximum gain before feedback.
Mr Romo –
This microphone absolutely squashes the competition. You really do get what you pay for with this microphone. AT & Shure have nothing on this mic. Its just superior from build to sound. We use them in our conference room as permanent fixtures. its a large room with a massive table in the center. We have 3 of these, and everyone at the perimeter can hear everything clearly with no feedback despite having the ceiling tile speakers directly overhead.
fletchware –
This has been a great pulpit microphone!
donhill3rd –
good
TreyBoB –
beautiful and full.. ive used this as stand alone and paired.. ive used these on local and touring shows. sound guys always ask about them. Very little feedback..
Amazon Customer –
One of the BEST kick mics on the market. A really big sound, but has plenty of attack for the batter head. Took a chance on this one and I’m really glad I did. The thing is heavy too. It doesn’t slide around on the pillow like some others of similar shape. I haven’t tried it on other instruments but when I get a chance I will
Eric –
Can not get it to work with my fender amp.
Andrew Estep –
Works exactly as advertised!
MonsO –
😁
It works