₹56,000
1000 in stock
When it’s time to make recording history on your Mac or Windows computer, plug in microphones, instruments or line level sources to the UMC1820’s 8 combination XLR/TRS inputs for the ultimate in studio flexibility! Connect and communicate with MIDI devices to add the benefit of control surfaces to your studio workflow. And since the UMC1820 is compatible with all popular recording software including Avid Pro Tools, Ableton Live, Steinberg Cubase, and others – it’s ready for anything.
The UMC1820 mix control allows zero-latency direct monitoring, which means musicians can experience their performance clearly and with no delay or lag in the returning signal, resulting in a better performance and recording. Its powerful phones output has its own level control and Monitor A/B source select for DJ-style cueing.
The U-PHORIA UMC1820 provides 18 inputs and 20 outs and built-in MIDI I/O to sync your favorite hardware. You’ll have ultra-easy control via your computer for producing a richer performance. On the rear panel of the UMC1820, you’ll find the USB 2.0 port for hassle-free connection, and plenty of analog playback output options including ¼” TRS, RCA and XLR. Built-in MIDI I/O allows you to connect keyboards and other outboard MIDI hardware.
The U-PHORIA UMC1820 is a powerful 18 input, 20 output USB recording interface featuring genuine MIDAS-designed mic preamps with exceptional 24-Bit/96 kHz high-resolution converters, support for S/PDIF, ADAT and S/MUX formats with simultaneous use of all signals. It’s all designed to help your recordings and mixes sound their absolute best. Visit your local dealer or online reseller and fi nd out what a great addition to any studio or mobile recording rig it can be.
Tracktion is Digital Audio Workstations (DAW) for composing, recording, editing, mixing and sharing your music with the world. Featuring a single-screen interface, and pushing the envelope in design elegance, Tracktion brings together outstanding Pro DAW features, such as dynamic automation, unlimited track count, MIDI recording and support for VST and AU plug-ins.
ADAT input allows you to connect a BEHRINGER ADA8200 (sold separately), expanding to a total of 16 Midas-designed mic preamplifiers, so you can mic the entire band! And there are enough outs to feed separate headphone mixes to each performer. Naturally, the UMC1820 supports all standard I/O formats, including S/PDIF, ADAT, S/MUX and analog
Ever since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations world-wide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.
You take your tracks seriously, and the UMC1820 respects that, providing up to 96 kHz resolution for even the most demanding applications in music as well as video post production. Work with confidence and accuracy in your favorite recording software for professional results every time.
| Weight | 1.81 kg |
|---|---|
| Dimensions | 48.31 × 13 × 4.6 cm |
| Product Dimensions | 48.31 x 13 x 4.6 cm; 1.81 kg |
| Item model number | UMC1820 |
| Colour | Black |
| Compatible Devices | Personal Computer |
| Hardware Interface | USB |
| Supported Software | S/PDIF |
| Operating System | Mac |
| Item Weight | 1 kg 810 g |
| Country of Origin | India |
| ASIN | B01EXI8Y9S |
| Date First Available | 9 August 2016 |
| Packer | Alphatec Audio Video Pvt. Ltd. |
| Importer | Alphatec Audio Video Pvt. Ltd. |
| Item Dimensions LxWxH | 48.3 x 13 x 4.6 Centimeters |
| Net Quantity | 1 Unit |
| Included Components | 24 Bit,96 kHz USB Audio,MIDI Interface with MIDAS Mic Preamplifiers, Audiophile 18×20 |
| Generic Name | BEHRINGER U-PHORIA UMC1820 |
| size | 8-Channel, UMC202HD, UMC404HD |
| Manufacturer | Behringer, BEHRINGER, Alphatec Audio Video Private Limited |
| Style Name | Audio Interface, Compact |
The standard warranty period for most products is one year. Warranty services will be facilitated through the distribution network or authorized service centers exclusively. Should customers require assistance, we will endeavor to provide support within our means. Additionally, many companies offer warranty coverage beyond one year as part of regular service or through special events or promotions. Any extensions to the warranty period will be communicated via email or indicated on the invoice. Customers are required to furnish all valid documentation for warranty claims. In the event of a lost invoice, customers can access it on our website or request a copy via email or WhatsApp through the contact us page or our provided contact details.
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Naveen –
Nothing comes like this at this price range with theese features. And sound quality is awesome, there is no disturbance.It is doing great than what it spouses to doI love itBut has little latency on play back but in live secession there is no latency.
Chirag –
Price is much higher, bought it for 7600 Rs from DJ Pundits, after some days i found it @6200 Rs at a local store in Ahmedabad where i’m living.Right now price 27-08-17, price is 8600 Rs..!Box of interface was a bit damaged from edges, but interface was safe.Tracking info was not provided by the seller DJ Pundits.Talking about interface, it is worth the price (6200 Rs), if you are tight on budget, you can go for it, else if you have 10k budget, go for scarlett.Pros :1. Cheap2. Good Build Quality, knobs works fine3. Small in size, headphone volume knob (other interfaces under 10k such as scarlett lacks hdphn vol knob)4. TRS balanced outputs5. 12 db pad to record instruments which gives high inputs6. 192 kHz qualityCons :1. Driver Software hangs sometimes, and doesn’t play anything2. minor latency issues around 10-15 ms (you can’t get zero latency at this price range though)3. It is not great for recording guitars because of that minor latency (Good for practice)4. Direct monitor only plays in one side. INPUT 1 plays in left ear while INPUT 2 plays in right ear.5. Doesn’t come with cables.If you buy it for around 6 to 7 thousand, It does worth the price.
Dhruv –
Good for recordings, no latency and easy to use
Anil gupta –
Super quality this price thanks
vishal mohite –
Superb Quality
Ashu Ch –
Because of hitting problem and latency problem
Shubham R. –
Its an overall good product no defect. But the sound is a bit muddy, a tad bit, but if u r buying this for your home studio then its a very good interface at this price point even though there are other more expensive options out there this one has a lot of options at this price range that none of the other interfaces can provide. So go for it if u feel like recording guitars or bass with this unit.
Amazon Customer –
Don’t let the brand name Behringer fool you. This audio interface is one of the best interface in this price range. You won’t find any other interface with these features in this orice range. The MiDAS preamp sounds good, the AD converter are pristine, and latency is also very low. I have been using a UMC404HD for 4 years an i havent had any issues with it. Thanks to Behringer for making affordable, budgetfriendly products. I recommend this product for anyone on a low budget, you won’t be disappointed.
Martin C. –
Best in Class!
I’ve been recording music and sound both professionally and for fun since the mid-90’s. I’ve been fortunate enough to get to use a wide variety of equipment at all levels, from cheap junk to top pro quality. My home desktop recording setup has centered around an M-Audio Delta1010 card for many years. In studios, I’ve used a variety of things, from Digidesign, RMC, Apogee, etc… I needed a simple and cheap USB interface to use with an old beater laptop for some mobile recording. After much research, I nabbed a Behringer UMC404HD. The price was cheap enough to be worth the gamble; I’ve used Behringer things a few times in the past, but never an interface, and was worried it might be too junky to be usable. But seeing that these are perpetually out of stock at most places, I figured it would be easy enough to flip if it ended up being a lemon. Thankfully, I won’t even need to worry about that, because this one is a winner! Best $99 I’ve spent on anything in a long time.Sound quality is great. I’d say the quality of the conversion beats my M-Audio card (which was originally at least 6x the price!). I’m going to chalk this up to improvements in technology over the years, and it really makes the Delta show its age. A nice clear sound, not lacking in body, and doesn’t have any of the harshness I’ve encountered with other Behringer products of the past. I’m not going to say it’s “warm” sounding at all, but it really doesn’t need to be, honestly. It’s just a solid clear sound with a minimum of any noticeable hype or color. Behringer’s parent company recently bought Midas, and the UMC404 claims to have the same mic preamps as used in the high end Midas consoles. Which model of console is anyone’s guess, and it’s really more just an excuse to stick the name on there to play off the reputation of the name (though, Midas is a big name in live FOH consoles, not really anything to do with recording consoles). But whatever, the mic preamps do sound good. Noise isn’t too bad – recording piano with some dynamic mics didn’t get any bad noise issues. It will get a bit hissy if you have to max the gain out, but there are few situations where I see that happening, and if you really need lowest noise, you can always use a nicer external preamp and patch into the line inputs. The inserts included on each input is a nice touch! You can easily patch a compressor after the mic input – which is good news for tracking vocals. This is an extremely helpful feature that most other interfaces neglect.One complaint about the mic preamps: they don’t work well with low-output ribbon mics. I tried it with my Cascade Fat Head II and it was a no-go. Not enough clean gain available. Had to max it out to get any signal and at that point the noise was too much. Ribbon users would need something like a Cloud Lifter or other external preamp to be able to use them with the UMC. Too bad, but that’s really not a huge letdown considering the price and how well the unit performs otherwise.Control panel for the drivers is very spartan, but it does enough to tell you what’s going on and make a few adjustments. People like me who are used to the luxury of an onboard DSP zero latency monitor mixer (like the Delta has) will be a little disappointed by the lack of monitor adjustment with the simple analog input monitoring on the box itself, but it’s still work-able, just a bit unusual to lack a separate control for monitor mixing. But considering the price and general sound quality, this isn’t really a complaint.As far as how well it plays with software, I’ve tried this with Adobe Audition, Reaper, and Tracktion. It works just fine doing multitrack using the ASIO drivers in Reaper and Tracktion, but it did NOT work well with Audition at all. Attempting to use the ASIO drivers to do a multitrack recording in Audition caused Audition to crash. Multitracking in Audition doesn’t seem to work at all with this, even when switching to the MME or WASAPI drivers. I’m blaming this on Audition because Adobe sucks. Tracktion was billed as “included” software, but it wasn’t actually in the box with it, and when I registered the product with Behringer to get my “free” download code, I have yet to get any reply from them. There’s a free version of Tracktion available and that’s probably what they’re talking about. Behringer pulled this crap before by including the freeware Audacity with interfaces and billing it as some great deal of included software (and Audacity sucks, BTW). Tried messing with Tracktion a bit, but really not a fan of the workflow. It’s quick and easy, but it’s too stripped and just not an interface I find comfortable. Reaper gave the best results for multitracking on the laptop, and then I used Audition for editing/mastering the final mix. My main software on desktop is Samplitude Pro X, but I haven’t plugged the Behringer into my desktop yet. The laptop is running Win10, so good news for Win10 users that the drivers seem to work fine with it.Haven’t tested the MIDI yet, and therefore haven’t used any realtime softsynths with it, so I can’t make any judgment about the latency. The control panel gives you some control over this, so I’m sure I could probably get it to where it feels good for realtime synth. But as this is being used almost exclusively for recording, low latency is really not on my list of needs.Time will tell about the long-term reliability of a $99 interface with this much packed into it, but overall construction seems solid and I’ve had no feelings about it being too delicate to carry around in my backpack. Should hold up well to regular mobile use.Giving something like this 5 stars seems excessive, because there’s certainly better out there. But at this price? Not even close! In the very crowded world of sub-$200 audio interfaces, I will put the UMC404HD up there as a clear winner.
Conquet –
Bonne appareil et prix tres raisonnable
Tres bonne carte son externeFacile à installer et qualitéAu rdv